Shutter Bug Hunger #2

All Dressed Up…


Where I live, it’s cold outside 8 months of the year!  It then becomes a challenge to even pick up your camera at all, without risking frostbite, just setting up and taking down your tripod outside.  Just try adjusting setting for instance without your gloves on: darn near impossible…

So you look at what appears to be ordinary things in your home, and begin asking yourself how you might make them look more colorful, interesting, unique, as wallpapers, just because you have an itchy trigger finger, and will certainly go right off your nut, if you can’t take a picture of something.  Anything, and make it work!  Not so easy as it sounds…

This plate rests upon the wall in my livingroom…  I can walk by it a dozen times and never notice the thing.  Yet doesn’t it occur to us all, one day or other, that what we possess says something about who we are, what we find tasteful or not, and how others may be enticed to connect with these objects in the same way that you might yourself?

What sets the above plate apart from other plates?  Is it the busy symmetrical pattern so common place in applets that produce mirror images in graphic programs?  Is it the bulge in the center that hints at how you may dress it up with foods, and what various kinds may be appropriate?


Yes, you’re right!  This is a rabbit’s head that also sits upon my livingroom wall.  But there’s a story behind it, as there is about everything in this series, that trigger memories.  A neighbor of mine made this as a matter of fact, and can fashion anything you’d so desire, from any kind of brass, gold, or silver, that you may bring to him.  He has exceptional talent with this type of art form! 

And it took me all of a half hour, just to clean this picture up, to its original, pristine appearance.  If you happen to own an expensive camera, you’d be surprised at the amount of detail it picks up, that your eyes are completely unaware of, until you see the image at full size!  Then there’s a million scratches, dust mites, wall dirt, spider webs, and God only knows what else.


Take this simple bowl for instance.  There were 6 million scratches on it!  (exactly 6 million?)  Yes!  And this was after I polished the silly thing up.  And the table I pose things on has enough scratches, to look like a map of New York’s subway system.  Yet I like the reflective qualities of wood surfaces!  So the perfectionist in me must remove them from every picture…  I quite literally rebuilt this table from scratch!


This comes from an entire set of dishes that elaborates upon the same theme of a family of busy rabbits, made in England and are quite expensive.  The story behind this particular dish, is that Leslie gave it to her Grandson ‘Austin’ for his first B-Day…  Your icons should fit neatly on the left, which is how I’ve set up most of the pictures in this series, which DOES have a part #3 coming to a computer near you BTW…


This too reminds me of something for a pair of little hands to more easily control and drink from…  Again, at least to me, it’s not so much the cup, as the blue reflections that set the tone for this picture.


As with all my pictures in the ‘Photos’ section, and there are quite a few, hard copies can easily be blown up to 18″  x  24″  without any loss of detail what-so-ever, or larger if you like!  And as always, you are free to do whatever you want with them, without charge or obligation.  At the very least, enjoy the slide show: compliments of: ‘Shutter Bug Hunger…’


How to Capture Starlight


Many people who own DSLR’s are left in the dark when it comes to capturing starlight.  Their results vary from completely blurry, to light trails, to completely blank.  The object of this entry is to help you to capture some amazing shots of the night sky by using a few basic but key accessories.  I will give you these in list form.  All items that are absolutely essential will have an * at the beginning of the explanation.  I will also include instructions for proper post editing…

  • Use a tripod – * This is an absolute necessity because you can’t possibly hold the camera steady enough yourself, for the time duration it takes to capture enough light, and keep the star points concentric (round).
  • Exposure – The Earth is always moving, and the stars are moving as well.  So the I prefer 5 seconds, but can push it up to 8 seconds, and still get concentric star points.  This time frame is important because any longer and you’re going to get trails (movement), and any shorter, and you won’t capture as many star points.  The human eye creates a new picture every tenth of a second.  So leaving the shutter open for this amount of time will capture stars up to 3 more magnitudes than you can visually see!  This may not sound like much, but it is…
  • ISO – *  It’s advisable to set your ISO to 3200 to make the sensor as sensitive to light as possible.  If your camera only provides 1600 ISO max., adequate pictures can still be attained with 8 second exposures, though a reduction in size will be a must in the post processing stage…
  • F Stop – Again, you want the camera to pick up as much light as possible, so open your lens all the way to at least f 5.6.. If you can get it lower at f 4 or below, so much the better!
  • Lens – Contrary to popular belief, you may think the longer the lens in the telescopic range, the more starlight you’ll gather.  This is true, but your field of view is very limited.  So although you will see stars that are further away, there will be very few of them in your field of view!  Use as wide an angle lens as you have.  I used as 24mm to 105mm zoom lens set to 24mm to capture the most stars.
  • Focus – You’re not going to see a lot through your view finder.  To obtain clear focus, set your focus ring to infinity: that’s the sideways 8 shown on your lens.  Do this along with all of your other camera settings before you go out because it’s dark out there, and a flashlight will only blind you more! 
  • Cable Release – * This is an optional accessory that most people have to buy separately for their camera.  When you click the button on your camera to take a picture, this transfers any shake in your hand, to the image, producing ‘ghosts’ beside each star point.  A cable release is relatively inexpensive, and essential for every day use as well!
  • Mirror Lock – * Unfortunately, it’s essential that your camera has this feature!  Just before the exposure is taken, the mirror flips up, causing camera shake that is avoided of you have a ‘mirror lock’ feature.  This way, you set your camera to ‘bulb’, press the cable release once to lock up the mirror, wait 2 seconds, and then hold the button down for the duration of your exposure, and then let go: else-wise, your camera will try to focus on nothing, which is why you get those blank shots!  Alternatively, set your camera to ‘Manual’, and uncouple your exposure from your focus points on the camera, if your camera provides for that…  The newest cameras are now mirror-less to avoid the problem completely.
  • Black Mat – Not many cameras have this feature.  Mine does.  At 3200 ISO, artifacts, or ‘digital noise’ becomes a very real problem.  With this feature, a camera can take a black mat background shot first, and then superimpose the foreground on that, virtually eliminating all noise.  Though you may loose a few star points, I’ll show you a way to achieve something similar in the post processing phase.
  • Seeing – ‘Seeing is a term that describes the number of stars visible on any given night.  Sometimes you will see lots of stars, and on other nights, not so many.  I purposely picked a night when the seeing was poor, so I could show you only the tip of the ice-burg of what your camera is capable of!  The real name for the sensor that determines the number of mega-pix you can capture is called a CCD, or ‘charged couped device’.  Astronomers immediately switched from conventional emulsion film to CCD’s as soon as they came out.  This was long before commercial cameras were using them.  So you have the perfect astronomical instrument right there in the back of your camera.  CCD’s are far more sensitive to light than conventional film.  The catch is, if you own a cheap camera, you probably have a crumby CCD chip as well.  I paid $8000 for one of the best cameras there is, so I have everything listed above, including an excellent, full 35mm frame CMOS CCD chip…

Post Processing:

It’s best to shoot these in RAW format.  I then save it as a dng. extension which stands for: ‘digital negative.’  This retains the ability to still work with the image in your RAW utility without loosing data, except now, it’s an actual image that can be processed.  Next, I save a copy to png. format because it retains 16 mega-pix of data, and is presentable in WordPress format.  Jpgs. are only 8 bits which equates to presenting someone with an image capable of defining 65,000 colors, as apposed to 256 colors in jpg format.

24 Bits produces 16 million colors, and 32 bits introduces 22 million colors, which is the full extent of what the eye can discern.  So if you’re shooting for 64 bit pix., it’s over-kill…  Anyway, 16 bits makes for far more latitude in the post processing stage without the image deteriorating or developing artifacts…

At the bottom of your RAW utility window in Photoshop, you’ll see a statement highlighted in light blue, assigning 8 bits to your photo.  You don’t want this.  You want 16 bits until you intend to save a jpg. copy. By right clicking this ‘statement’, it will give you the option to convert images using 16 bit format.  This is where you need to be.  Select it, and leave it that way.

Temperature – Star colors used to be very hard to achieve without a high powered telescope.  Not anymore!  There is a trick to it though.  You’ll find, if you examine your ‘Histogram’, that all of the pixels in star shots are all slammed up against the far left hand side.  This is naturally where all your shadow content would be, and the favorite place for blue light. There’s a ‘temperature gage on the first tab in the RAW utility.  You will see it’s at the blue side of things.  Reset it to 5200 K. so that you will get the correct color of stars that aren’t apparent just yet.

Color – In the same tab, you’ll find a saturation control and a vibrancy control.  I set the vibrancy control to 45% and the saturation level to 40% and I still had to add 40% more saturation in Photoshop for star colors to become apparent!  Still, most of them are subtle differences because stars go from very faintly colored to extremely colorful on a scale from 1 to 9. The designations are: OBAFGKM.  

The sentence to remember the order is: ‘Oh be a fine girl, kiss me!’  ‘O’ stars are white. ‘B’ stars are progressively more blue: 1 being the faintest, and 9 being the most saturated.  ‘A’ stars are cyan. ‘F’ stars are Gold.  ‘G’ stars are yellow.  Our star is a G2 star. ‘K’ stars are orange and ‘M’ stars are red dwarfs.  Over half of all stars are red dwarfs.  Over half of all stars are double stars orbiting about each other  Castor in Gemini, is a six star system!

In one shot, on the bottom left hand side, near the tree, you’ll notice the big dipper, and that a couple of the stars on the handle show their double star companions.  The Big Dipper BTW is within the region of space in which we reside.  Because they’re so close, the ‘proper motion’ of these stars will radically change their position by 2050, so it won’t resemble its present shape at all…

You’ll notice subtle shades of purple and green, but you’ll have to look close!  Other stars will jump right out at you as beings deep blue or red or yellow…  Experiment with a 50 mm macro lenses you can stop down to f 1.2 in some cases.

Contrast – This is where I was telling you earlier, where you can take out the noise.  adjust your contrast in your Raw utility, to +40.  That should remove the noise, and leave the actual stars.  Do not adjust any other controls.

Get out there now and try your hand at this wonderful field of night time photography!  I took a picture here of a bright star, and to my delight, I captured an ‘Open Cluster’ of older, yellow stars beside it.  So you never know what surprises are in store!  Like I said before…  There were only a few of stars visible the night I took these pictures.  Imagine what you would capture on nights when you can see The entire Milky Way sprawled out above you!

In Conclusion:

Since the star points won’t be visible in the slide show, it’s important that you choose ‘view full size’ on the bottom of your slide show screen, and then click the photo with your little magnifying glass icon to view it full size.  Then to save it, right click and chose: ‘Save Image as’…

Understanding Gradients



I am putting three examples in here that are full size at 300 dpi.  Full size for me is 1920 x 1080, which just fits a wide screen 24 inch monitor.  You can right click them, choose save as, and get the full size image.  I know some of you have much larger monitors.  Yet keep in mind that they are high resolution, so you can tell your computer to: ‘fit screen’ without any real loss of detail.  And if they’re not 300 dpi, tell your computer that anyway, and see if you can fool it.  Besides, sometimes, it’s really cool to center something smaller and have some neato-beato black space to really make all your dorky (door key?) icons stand out.  I guess what I’m really trying to say is that I don’t remember what forking resolution they are and don’t care!  In the future, and who knows when that will be, I’ll make sure they’re 300 dpi.  NOW GET OFF MY BACK!!!

A wonderful deception

God I love corrupting you!  Not hard considering we’re a bunch of Apes.  Or, if you’re on drugs, a bunch of Grapes…  Color is deceptive in that it also carries with it properties of light and dark.  Because of this, gradients, complex ones that work with only Grey-scale, or just with a beige color added to give the illusion of copper, or gold for gold, one can produce hills and valleys upon an object without using the bevel and emboss controls in Photoshop.  In point of fact, when working with gradients, beveling them can ruin the effect, where-as drop shadow and inner shadow can enhance them.  Working with complex gradients and, ‘Kaleidoscope 2.1’ FREE mirroring application opens the door to all kinds of intriguing possibilities!

The spiral-graph or mirrored image started out as a simple tribal brush.  Since I have a compulsion for symmetry, I purposely sought to off-set the object from the center of the design using: ‘The Law of Thirds’, present as a grid on some camera screens to draw the eye away from our annoying tendency to center everything. Because the seem with what looks like rivets came that way with the background, I put a doorknob on it to simulate a door.  I then added the word: ‘Cyclotron’ ( whatever that means ) and the silver band on the far left, again just using gradients.  The only thing I really had to do was scale them to suit what regions I wish to stand out and what regions are to appear to recede into shadow… 

Gradients work on more than brushes


You can mirror patterns, shapes, and even letters of the alphabet using fancy script fonts and fill them with depth adding gradients.  This opens the door to a wide variety of choices, only limited by the extent of your imagination.  Photoshop also allows you to make your own gradients and save the sets as your own.  You can then upload them on The Photoshop Exchange site to share with other people.  They truly act like prefabricated bevels, saving you a lot of fiddling around with embossing effects…  And they’re easy to make and understand!  You really should give them a try.

Stunningly captivating results

Vlcan Steel

I’ll bring you other examples of these by varying the backgrounds.  In so doing, one may be inspired to allow there creative juices to flow on to other more challenging projects I’m presently involved in as i speak. BTW, blurring the background a little can add to a 3D effect as well…  I’ll explain those at a later date. Mean-while, enjoy displaying these however you wish. Some people who want entrance pages to their websites may even offer you cash for them.  Yes!  I just mentioned mammon!  ‘In God We Trust!’ and all that malarkey…  For using lots of colors, and glass effects, please refer the post just prior to this one within this category.  Now go into Photoshop, sit there like a dumb-cluck, wondering what in tar-nation I’m talking about…  I sincerely hope you’ll enjoy these and take full advantage of their qualitative aspects.  Lots of potential. That’s understanding gradients!  Cheers!

Tennis: Women’s Final Upgrade!

    Oh this was not just any women’s final.  It was The most important Women’s final, that Serena would ever want to win, making it her 18th. Grand Slam victory and hence joining her in line with the other three legends of all time!  Let’s see if I can get this right.  I know Martina Hinges is one.  Chris Evert makes two.  And Maria Navatralova?  Help me with this!  There’s no one to help me with this :O(

So for Serena, it’s really an ‘Upgrade’, rather than an ‘Update’…  Her opponent, Carolina Wozniacki  (Hooray!  I spelled it right!  Why is there a Hoor in Hooray?)  At the risk of reiterating myself, Window’s Live Writer sure has a crumby dictionary!  I don’t dare color my words until after I’m finished my post!  Carolina was tight against her good friend, Serena!  She didn’t seem to be able to find her game  until late in the third set, and by that time, it was too late for Carolina from Switzerland, where some of the greatest players come from, like Federer and Lendel.  Carolina is still young enough to improve, where-as Serena, at 33 years of age, may still go on a few years to surpass these great legends, whoever they are…  LOL!

Serena was not to be denied!


Here she is just remembering that she forgot her keys in the car!

Serena was not just playing great Tennis today.  She was parlaying; at the best that anyone had ever seen her, serving 81% of her first serves in!  We all know she’s unstoppable at 70%, but 81% is quite simply outstanding!  She defeated Wozniacki in two straight sets (No!  They were crooked sets!), 6-3, 6-3, forcing Carolina to run for the ball twice as often as she had to, not even out of breath until near the end…


Form, Endurance, and Precision!


Here’s a picture of Serena waving goodbye to the ball…  Don’t you think she looks a lot like Sidney Poitier here in: ‘Guess Who’s Coming to Dinner?’

Believe it or not, that ball is heading straight for her racket.  C’mom!  I mean, it would be awfully hard to pose for the cameras this way wooden it?  At this point, she wood bee just about ready to extend her arm back in this picture.  Looking at her arms and legs, I think she could probably beat me up…  After a few Martinis…  And suddenly being stuck blind… (This implements clause number 18 of: ‘The Men’s Protection’ code:  ‘No man can intentionally be beat up by a woman!’  Of corpse, there are extenuating circumcisions…

While receiving their Trophy and Serving Dish…


Wozniacki  : ‘You know when you served that last ball?  It made me fart!’

Serena not only walked off with $4 million dollars in play money, she also received a gift from a friend of a honking sized 18 carrot gold bracelet from Tiffanies (An expensive Jewellery  Store in New York city.), with the number 18 engraved in it.  Looks pretty cule!  You can kind of see that they’re friends.  You don’t now if they’re showing off their awards, or the tooth paste they use…

In her acceptance speech, Serena’s first words were: ‘I’d just like to thank Jehovah God!  Without Him, this wouldn’t have been possible for me!’  Then, in Arthur Ashe stadium, the biggest stadium on Earth, filled to capacity, all you could here after that were crickets!  LOL!  I believe that’s called: ‘A pregnant silence.’  They only tolerate her religious convictions, and promptly let her know that. 

Why should Serena care?  She has her friend with her, $4 million dollars in promissory notes, a big, fat silver Trophy, and an 18 carrot bracelet that says you’re now among the prestigious elated of Tennis; quite literally, the best that has ever played Tennis!   And today, she showed us she’s got more in the tank than she’s been letting on!  Don’t miss the unusual men’s match tomorrow at 5pm. (Eastern Standard) time, between Kei Nishikori  and Marin Cilic.  If it so happens that you must miss it, I will cover it here, for you five people who don’t have recording equipment…