Green Eyes


Guess what?  I have green eyes!  And they do turn blue or grey sometimes…  Also, my psychological profile classifies me as a ‘rare green’…  Anyone who’s ever taken a psychology course knows what I mean.  There are four different character references according to color: Green, Blue, Orange, and Gold.  A rare anyone means ‘destined for greatness.’  It never happened so, must be BS…  Maybe if I actually tried?  Look it up.  It’s interesting!


Strange Turbulent Sunset


Here are the rest of the sunset pictures I took when I took the star pictures.  Why I’m snapping away at the sunset,  I glance, (for some reason I can’t explain) to my far right, and here was this very odd cloud configuration happening…


Though clouds did intervien and prevent me from capturing an actual sun, the colors were really breath-taking!


This is about as close as I got to actually including the sun…  LOL!  Anyway, enjoy the slide show:

How to Capture Starlight


Many people who own DSLR’s are left in the dark when it comes to capturing starlight.  Their results vary from completely blurry, to light trails, to completely blank.  The object of this entry is to help you to capture some amazing shots of the night sky by using a few basic but key accessories.  I will give you these in list form.  All items that are absolutely essential will have an * at the beginning of the explanation.  I will also include instructions for proper post editing…

  • Use a tripod – * This is an absolute necessity because you can’t possibly hold the camera steady enough yourself, for the time duration it takes to capture enough light, and keep the star points concentric (round).
  • Exposure – The Earth is always moving, and the stars are moving as well.  So the I prefer 5 seconds, but can push it up to 8 seconds, and still get concentric star points.  This time frame is important because any longer and you’re going to get trails (movement), and any shorter, and you won’t capture as many star points.  The human eye creates a new picture every tenth of a second.  So leaving the shutter open for this amount of time will capture stars up to 3 more magnitudes than you can visually see!  This may not sound like much, but it is…
  • ISO – *  It’s advisable to set your ISO to 3200 to make the sensor as sensitive to light as possible.  If your camera only provides 1600 ISO max., adequate pictures can still be attained with 8 second exposures, though a reduction in size will be a must in the post processing stage…
  • F Stop – Again, you want the camera to pick up as much light as possible, so open your lens all the way to at least f 5.6.. If you can get it lower at f 4 or below, so much the better!
  • Lens – Contrary to popular belief, you may think the longer the lens in the telescopic range, the more starlight you’ll gather.  This is true, but your field of view is very limited.  So although you will see stars that are further away, there will be very few of them in your field of view!  Use as wide an angle lens as you have.  I used as 24mm to 105mm zoom lens set to 24mm to capture the most stars.
  • Focus – You’re not going to see a lot through your view finder.  To obtain clear focus, set your focus ring to infinity: that’s the sideways 8 shown on your lens.  Do this along with all of your other camera settings before you go out because it’s dark out there, and a flashlight will only blind you more! 
  • Cable Release – * This is an optional accessory that most people have to buy separately for their camera.  When you click the button on your camera to take a picture, this transfers any shake in your hand, to the image, producing ‘ghosts’ beside each star point.  A cable release is relatively inexpensive, and essential for every day use as well!
  • Mirror Lock – * Unfortunately, it’s essential that your camera has this feature!  Just before the exposure is taken, the mirror flips up, causing camera shake that is avoided of you have a ‘mirror lock’ feature.  This way, you set your camera to ‘bulb’, press the cable release once to lock up the mirror, wait 2 seconds, and then hold the button down for the duration of your exposure, and then let go: else-wise, your camera will try to focus on nothing, which is why you get those blank shots!  Alternatively, set your camera to ‘Manual’, and uncouple your exposure from your focus points on the camera, if your camera provides for that…  The newest cameras are now mirror-less to avoid the problem completely.
  • Black Mat – Not many cameras have this feature.  Mine does.  At 3200 ISO, artifacts, or ‘digital noise’ becomes a very real problem.  With this feature, a camera can take a black mat background shot first, and then superimpose the foreground on that, virtually eliminating all noise.  Though you may loose a few star points, I’ll show you a way to achieve something similar in the post processing phase.
  • Seeing – ‘Seeing is a term that describes the number of stars visible on any given night.  Sometimes you will see lots of stars, and on other nights, not so many.  I purposely picked a night when the seeing was poor, so I could show you only the tip of the ice-burg of what your camera is capable of!  The real name for the sensor that determines the number of mega-pix you can capture is called a CCD, or ‘charged couped device’.  Astronomers immediately switched from conventional emulsion film to CCD’s as soon as they came out.  This was long before commercial cameras were using them.  So you have the perfect astronomical instrument right there in the back of your camera.  CCD’s are far more sensitive to light than conventional film.  The catch is, if you own a cheap camera, you probably have a crumby CCD chip as well.  I paid $8000 for one of the best cameras there is, so I have everything listed above, including an excellent, full 35mm frame CMOS CCD chip…

Post Processing:

It’s best to shoot these in RAW format.  I then save it as a dng. extension which stands for: ‘digital negative.’  This retains the ability to still work with the image in your RAW utility without loosing data, except now, it’s an actual image that can be processed.  Next, I save a copy to png. format because it retains 16 mega-pix of data, and is presentable in WordPress format.  Jpgs. are only 8 bits which equates to presenting someone with an image capable of defining 65,000 colors, as apposed to 256 colors in jpg format.

24 Bits produces 16 million colors, and 32 bits introduces 22 million colors, which is the full extent of what the eye can discern.  So if you’re shooting for 64 bit pix., it’s over-kill…  Anyway, 16 bits makes for far more latitude in the post processing stage without the image deteriorating or developing artifacts…

At the bottom of your RAW utility window in Photoshop, you’ll see a statement highlighted in light blue, assigning 8 bits to your photo.  You don’t want this.  You want 16 bits until you intend to save a jpg. copy. By right clicking this ‘statement’, it will give you the option to convert images using 16 bit format.  This is where you need to be.  Select it, and leave it that way.

Temperature – Star colors used to be very hard to achieve without a high powered telescope.  Not anymore!  There is a trick to it though.  You’ll find, if you examine your ‘Histogram’, that all of the pixels in star shots are all slammed up against the far left hand side.  This is naturally where all your shadow content would be, and the favorite place for blue light. There’s a ‘temperature gage on the first tab in the RAW utility.  You will see it’s at the blue side of things.  Reset it to 5200 K. so that you will get the correct color of stars that aren’t apparent just yet.

Color – In the same tab, you’ll find a saturation control and a vibrancy control.  I set the vibrancy control to 45% and the saturation level to 40% and I still had to add 40% more saturation in Photoshop for star colors to become apparent!  Still, most of them are subtle differences because stars go from very faintly colored to extremely colorful on a scale from 1 to 9. The designations are: OBAFGKM.  

The sentence to remember the order is: ‘Oh be a fine girl, kiss me!’  ‘O’ stars are white. ‘B’ stars are progressively more blue: 1 being the faintest, and 9 being the most saturated.  ‘A’ stars are cyan. ‘F’ stars are Gold.  ‘G’ stars are yellow.  Our star is a G2 star. ‘K’ stars are orange and ‘M’ stars are red dwarfs.  Over half of all stars are red dwarfs.  Over half of all stars are double stars orbiting about each other  Castor in Gemini, is a six star system!

In one shot, on the bottom left hand side, near the tree, you’ll notice the big dipper, and that a couple of the stars on the handle show their double star companions.  The Big Dipper BTW is within the region of space in which we reside.  Because they’re so close, the ‘proper motion’ of these stars will radically change their position by 2050, so it won’t resemble its present shape at all…

You’ll notice subtle shades of purple and green, but you’ll have to look close!  Other stars will jump right out at you as beings deep blue or red or yellow…  Experiment with a 50 mm macro lenses you can stop down to f 1.2 in some cases.

Contrast – This is where I was telling you earlier, where you can take out the noise.  adjust your contrast in your Raw utility, to +40.  That should remove the noise, and leave the actual stars.  Do not adjust any other controls.

Get out there now and try your hand at this wonderful field of night time photography!  I took a picture here of a bright star, and to my delight, I captured an ‘Open Cluster’ of older, yellow stars beside it.  So you never know what surprises are in store!  Like I said before…  There were only a few of stars visible the night I took these pictures.  Imagine what you would capture on nights when you can see The entire Milky Way sprawled out above you!

In Conclusion:

Since the star points won’t be visible in the slide show, it’s important that you choose ‘view full size’ on the bottom of your slide show screen, and then click the photo with your little magnifying glass icon to view it full size.  Then to save it, right click and chose: ‘Save Image as’…

Understanding Gradients



I am putting three examples in here that are full size at 300 dpi.  Full size for me is 1920 x 1080, which just fits a wide screen 24 inch monitor.  You can right click them, choose save as, and get the full size image.  I know some of you have much larger monitors.  Yet keep in mind that they are high resolution, so you can tell your computer to: ‘fit screen’ without any real loss of detail.  And if they’re not 300 dpi, tell your computer that anyway, and see if you can fool it.  Besides, sometimes, it’s really cool to center something smaller and have some neato-beato black space to really make all your dorky (door key?) icons stand out.  I guess what I’m really trying to say is that I don’t remember what forking resolution they are and don’t care!  In the future, and who knows when that will be, I’ll make sure they’re 300 dpi.  NOW GET OFF MY BACK!!!

A wonderful deception

God I love corrupting you!  Not hard considering we’re a bunch of Apes.  Or, if you’re on drugs, a bunch of Grapes…  Color is deceptive in that it also carries with it properties of light and dark.  Because of this, gradients, complex ones that work with only Grey-scale, or just with a beige color added to give the illusion of copper, or gold for gold, one can produce hills and valleys upon an object without using the bevel and emboss controls in Photoshop.  In point of fact, when working with gradients, beveling them can ruin the effect, where-as drop shadow and inner shadow can enhance them.  Working with complex gradients and, ‘Kaleidoscope 2.1’ FREE mirroring application opens the door to all kinds of intriguing possibilities!

The spiral-graph or mirrored image started out as a simple tribal brush.  Since I have a compulsion for symmetry, I purposely sought to off-set the object from the center of the design using: ‘The Law of Thirds’, present as a grid on some camera screens to draw the eye away from our annoying tendency to center everything. Because the seem with what looks like rivets came that way with the background, I put a doorknob on it to simulate a door.  I then added the word: ‘Cyclotron’ ( whatever that means ) and the silver band on the far left, again just using gradients.  The only thing I really had to do was scale them to suit what regions I wish to stand out and what regions are to appear to recede into shadow… 

Gradients work on more than brushes


You can mirror patterns, shapes, and even letters of the alphabet using fancy script fonts and fill them with depth adding gradients.  This opens the door to a wide variety of choices, only limited by the extent of your imagination.  Photoshop also allows you to make your own gradients and save the sets as your own.  You can then upload them on The Photoshop Exchange site to share with other people.  They truly act like prefabricated bevels, saving you a lot of fiddling around with embossing effects…  And they’re easy to make and understand!  You really should give them a try.

Stunningly captivating results

Vlcan Steel

I’ll bring you other examples of these by varying the backgrounds.  In so doing, one may be inspired to allow there creative juices to flow on to other more challenging projects I’m presently involved in as i speak. BTW, blurring the background a little can add to a 3D effect as well…  I’ll explain those at a later date. Mean-while, enjoy displaying these however you wish. Some people who want entrance pages to their websites may even offer you cash for them.  Yes!  I just mentioned mammon!  ‘In God We Trust!’ and all that malarkey…  For using lots of colors, and glass effects, please refer the post just prior to this one within this category.  Now go into Photoshop, sit there like a dumb-cluck, wondering what in tar-nation I’m talking about…  I sincerely hope you’ll enjoy these and take full advantage of their qualitative aspects.  Lots of potential. That’s understanding gradients!  Cheers!